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The World of Polymaths and Multi-disciplinarians

Ever since we are old enough to write essays, we are asked, what do you want to do in life? . .  and that continues over and over again until you pick a card.  When I graduated high school, I was supposed to choose between commerce, maths, biology or economics. It was assumed that this is where straight line of your career begins, and everyone lets you believe it is like picking between the pills in the matrix.

Years down the line, I find myself exploring multiple paths, streams, talents and arts. And I am sure I am not the only one to bypass the question of 'What am I doing in life?'

When Picasso got bored with painting things as they appeared, he began to experiment with colors and shapes—an endeavor he would pursue for the rest of his life.

A friend I met in Cambodia, the painter, loved Picasso. In his house were abstract oil paintings, attempts at mimicking the master. Because of these paintings, I always assumed Picasso just painted things a little weirdly. But that wasn’t the case at all.

By the age of 16, young Pablo had conquered realism. Nowhere is this more apparent than in his museum in Barcelona. There, you can see the drawings and paintings a teenager did that look so real you can almost touch them. Leaving that museum, you will have a newfound respect for the artist and man.

Picasso learned the rules before he broke them. And as he got older, he needed a more creative challenge. Maybe we all do.


During the Renaissance, if you had more than one craft, more than one way of doing things, you didn’t have a “bad brand” or ADHD, as we might conclude today. You were a polymath.

Leonard da Vinci was a polymath. A painter, sculptor, architect, and inventor, he was not content to stick to just one craft. In his latter years, he even designed war machines and torture devices for the king of France.

That’s like the Department of Defense calling up Georgia O’Keefe during the Cold War, asking her to consult on developing thermonuclear weapons. It just wouldn’t happen.

Today, we don’t praise what Emilie Wapnick calls “multipotentialites.” That is, people who have multiple skills they love and may not be comfortable doing only one of them for the rest of their lives (she explains more of this in her excellent TedX talk).

The trick, I think, in doing this effectively is to not try to do everything, but to give yourself freedom to focus on more than just one thing. Look at the areas that interest you, and find common ground between them.

In other words, don’t be a jack of all trades. Become a master of some.


For years, I worked a job at an investment bank that in many ways felt like a distraction from my true calling. I wanted to be a writer, but instead spent my days managing software and people.

I was learning new things like how to make profits from stock trading and writing emails and tell compelling stories. And I learned how to work with people, motivating them to reach a common goal. I also had to manage a schedule and learn how to look at the positives in life. And that's how, I realised I need to fall back everything that excited me as a kid. With six years of professional training at the age of 9, my artistic abilities had just waned off over the years. But now it was time.

And as I’ve grown more comfortable with art, I’ve started to dip my toe into other mediums, like music. It’s a little scary to do something you have never done or even speak at large conferences, but I’m excited to learn new forms of artistic expression.

The lesson? Our past can prepare us for our future, if we learn to embrace our present and never stop growing.


After Walt Disney mastered the animated short, he tackled full-length feature films.

When he had sufficiently wowed his audiences with that medium, he began to shoot nature films. It wasn’t just the fantasy world that captivated him; it was the natural one. And then, he began the project that would consume him until he died.

When Disney got into the theme park business, he left behind movies almost entirely, letting others manage that side of the business. Occasionally, he would still peek in and see how things were going, but for the most part his focus was on Disneyland.

Now, Walt had what he’d always wanted: a project that would never be finished, something he could always tinker with. For a man who never got to be a boy, this was the ultimate dream—endless play.

The great artists, it seems, get bored with just one medium. They don’t want to be pigeonholed, no matter how successful they became. Just this weekend, I read about Jim Henson, the famous creator of the Muppets, and how he planned to build a series of theme park rides before his untimely death.

It seems we are never done creating, never done working, never done expressing what we have to share with the world.


Too many writers don’t take the time to understand technology. Too many musicians miss the boat on a basic business education. And too many educators don’t pay attention to what’s going on in the culture outside their institution. In our culture today, we are in desperate need of more polymaths.

We need more renaissance men and women. So where does that leave you? Probably a little confused. Here’s my advice:
  • Don’t long for a better life—live the one you have. “Wherever you are,” missionary Jim Elliott once said, “be all there.” Making the most of your current reality is the best practice for what’s to come.
  • Don’t get stuck in a single pursuit—create a body of work. Like Picasso, keep looking for other skills and interests you can develop that will complement your core. You never know where a new fascination might lead.
  • Don’t be afraid to change mediums—keep trying new things. Sometimes, the way we get to our best work is by quitting something else. As evidenced in the life of Walt Disney, there is power in the pivot.

May you embrace multiple mediums and become your own version of a renaissance man or woman. It just might be the most satisfying thing you do.

When was the last time you tried tackling a new medium? Do share.


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